Mam Tor on the Western end of the Hope Valley in the Peak District is a 517 metres /1696 feet hill. Known as Mother Hill around 3000 years ago a group of Celtic People built a Bronze Age hill fort here and called it home.
Mam Tor is also known as the Shivering Mountain because of its instability. A land slip that probably began in pre-historic times and is still active today has opened up the whole side of Mam Tor, revealing what’s inside. It’s a classic example of a rotational landslip and during heavy or prolonged rainfall water seeps between the layers of rock causing them to become slippery. This allows the different layers shale and sandstone of to slide over one another resulting in further land slips. Experts believe this will only stop when face of the land slip reaches 30 degrees in probably another 1500 years.
Don’t expect to visit here and be able enjoy solitude especially at weekends not even on a cold January Winters day. It is such a popular spot that steps and a paved path have been added to protect Mam Tor from the thousands upon thousands of feet that tramp over it every day.
Some of you may have noticed that I have an interest in most all things military, I also have an interest in the 1940’s, more specifically the second world war. This has led me to invest in a “new” camera, well new to me. Its actually a 38 year old Kiev range finder, a postwar Russian copy of the famed German Contax range finders which were introduced around 1933 and were once the main competitor for Leica.
I intended to buy one of these Russian Contax or Leica clones as a display piece but attempts to find a good looking non working display camera for under a fiver soon evolved into a little bit of a quest to find a reasonable working camera and preferably a Keiv. I wasn’t actually worried about the age of the camera but I did want it to work on 1940’s technology. Then thanks to eBay a Kiev 4, a Contax IIIa copy, arrived along with a very odd desire to put a roll of film through it.
I think I actually imagined I was going to stick a roll of film in this 1940s vintage piece of technology and instantly be able to use it just like my Nikon equipment. However to give you an idea of the differences between this camera and any modern digital SLR or compact I thought about writing a short list of what you don’t get with a Kiev but forget the list. If your camera has the word “auto, automatic, program, mode or electronic before one of its features take it as read the Kiev doesn’t have it. It does have a built in light meter but its not very reliable and you have to read it, work out the exposure settings then manually enter those settings on the camera. Its design requires the camera to be held in a specific way, known as the Contax hold, so the fingers of your right hand don’t block the range finder window and make focusing impossible.
To swap from my Nikon D700 to the all mechanical and manual Keiv for a couple of days was to say the least a culture shock. I am used to knowing my Nikons so well that I pick them up and work them, almost without thought, leaving me free to concentrate on creating images. With the Keiv I was forced into a much slower pre planned, less instant, pace of photography. Not just less instant in the sense you don’t get to see the result straight away but you suddenly realise you have to move the camera away from your eye to set the shutter speed and aperture then again to wind the film on. You are forced to think much more about the image you are about to shoot or want to shoot and makes the grab shot so much more valuable. It has also left me wondering how famed war photographer and Magnum founder member Robert Capa managed the images he did from a pair of Contax II cameras. Despite the totally different way of working forced on me when using the Kiev I think I may just be looking for a Zorki or Fed Leica copy now to sit alongside my Keiv or maybe Ill look for a Kiev clone of Capa’s Contax II.
Elbow is not only the bit in the middle of a human arm that allows it to bend. Its not just, as Philip Marlowe said in The Singing Detective “the most sensuous word in the English language; not for its definition, but for how it feels to say it”.
Elbow is the British alternative rock bandwho have received vast critical acclaim and the respect of major artists like Radiohead, Coldplay, Blur, R.E.M. and U2. The five piece took to the stage at Sheffield Motorpoint Arena on the 5th night of their tour (19 March 2011) the night of “a full moon when its the closest it has been to the earth for 20 years”
Elbow front man, Guy Garvey, informed the packed Motorpoint Arena.
Consisting of Guy Garvey Lead vocalist and lyricist, Mark Potter on guitar, Craig Potter playing keyboards and organ, Pete Turner playing bass guitar and keyboards and Drummer Richard Jupp Elbow have come a long way since they first played together at The Corner Pin pub Stubbins, an industrial village in Lancashire 20 years ago. Asleep in the Back Elbow’s début album was released on V2 in 2001, and won them a Mercury Music Prize nomination and a BRIT Award nomination, performed at Glastonbury in 2002, went on tour in Cuba in 2004, by 2008 they won the the Mercury music prize for the album “Seldom Seen Kid” Supported U2 in 2009.
Now in 2010 Elbow rolled into town on their “Build A Rocket Boys” tour Sheffield Motorpoint Arena. Starting on the Tuesday 15th March at Glasgow’s SECC then moved on to, Newcastle
and Nottingham landing in Sheffield on the full moon
Elbow “Build A Rocket Boys” tour dates
Saturday 19-Sheffield Motorpoint
Sunday 20 – Liverpool, Echo Arena
Tuesday 22 – Birmingham, National Indoor Arena
Wednesday 23 – Cardiff, International
Friday 25 – Manchester, MEN
Sunday 27 – Brighton, Centre NEW DATE
Monday 28 – London, O2
Tuesday 29 – London, O2 EXTRA DATE
Elbow’s support was the Irish band The Villagers. Formed and fronted by Conor O’Brien they look to be on course to reach same successes as Elbow. Last year, 2010, saw the release of their first album “Becoming a Jackal” and their nominations for The Q Awards Breakthrough Artist, The Mercury Music Awards. Becoming a Jackal was also nominated in 2011 for the Choice Music Prize and Irish Album of the year Award of 2010
Last nights Full moon referred to by Elbows Guy Garvey