Dec 202011
 

As we get to the end of  one more year I thought I might go through my archive of photographs and do a  2011 in pictures blog. A straight forward enough idea look back and choose some images but then came the questions…

How do I choose them?

From a whole year how many should I choose?

What about if I had 3 really nice photographs for one month but weaker ones shot in another?

Should I include personal photographs?

I decided I would choose one image taken during each month of the year, this would naturally limit the me to 12 photographs and force me to show some images I may not otherwise have selected. This collection of  photographs is not   a list of the 12 biggest news stories or celebrities or PR jobs I shot during the year. It’s not even necessarily the best 12 photographs I produced in 2011. It is a personal choice of pictures which are my some of my favourite photographs, some produced as commissioned  images and others as personal images, one from each month of  the year.

January 2011Hatfields Jaguar Dealer Principal Andrew Jeffery in the refurbished show room on Sharrow Vale Rd  PR image commissioned by PFPR. This was one of my very first photographs of the year I really like the way I was able to both the Jaguar and Hatfields Brands in the same photograph despite them being in separate places,its not something that can always be achieved when building a PR photograph using two brand names.

February 2011 – Chris Huhne Secretary of State for Energy and Climate Change visits Casa hotel in Chesterfield to hear about the hotel  buildings energy efficient design and renewable energy. PR Image Commissioned by Bonner and Hindley This one is a very straight forward  un posed grabshot I think its the light I love on this large windows in the boardroom allowed bags on even natural light in.

March 2011 – A protester grabbed by police after crossing the “Ring of Steel” fence in Barkers Pool, outside Sheffield city Hall where the Liberal Democrats are holding their Party conference Conference. A grabshot on a 17-35mm wide with the full frame Nikon D 700. I caught movement out on the corner of my eye and turned to see the police grabbing this protester after he had climbed over the metal barriers.  Photograph shot on spec

April 2011 – Dancing on Ice Photocall Motorpoint Arena Hayley Tamaddon and Denise Welch joke in front of the cameras  After posing with their dancing partners in the show Haley and Denise wandered back across to the photographers and began a few outlandish poses as though they were a dance couple. I grabbed a several photographs but especially like this frame, it captures the point at which they posing stopped and dropped into fits of laughter Photograph shot on spec.

May 2011 – My partner Aileen as watches the other runners cross the finish line while looking for her two young granddaughters who were also running. She had just completed the “Race for life”  at Calendar Park in Falkirk. Personal Image

June 2011 – A wild Poppy growing on waste ground in Ecclesfield.  As a freelance I carry a camera everywhere this was photograph was taken during a Monday morning walk with my camera when business was quiet. Photographed for use as a Stock image.

July 2011 – The Ponderosa  “Spam” 1940’s war weekend held in Heckmondwike. Reenactors from the Northern World War Two Association portray German Panzergrenadiers from the Elite Heer (army) GrossDeutschland Division, defending a camouflaged mortar pit from attacking allied troops. Personal Photography Project

August 2011 –  Wallace chases a ball in Ecclesfield Park while out walking. I took this on a borrowed 300mm F2.8 Nikon hand-held. I was about to do sport for a newspaper for the first time in a number of years and thought I would get a bit of practice in.  Personal Image.

September 2011Walkers Fresh Hot Crisp Tour comes to Barkers Pool Sheffield as Masterchef winner Lisa Faulkner Shows  the three simple things that go into making a bag of crisps PR Image Commissioned by Freud Communications .

October 2011 – Complete with coffin, candles and gravestones a Vampire Fashion Show part of Sheffield’s Fashion Week. Photograph shot on Spec

November 2011 – A small wooden cross and poppy of the type that can be found on almost every War Memorial in the UK. This one was standing in among the remains of an old stone building on top of one the hills overlooking Langsett Reservoir on the Sunday after remembrance Sunday. Alone and out of the expected context it makes a poignant image. Photographed for use as a stock picture.

December 2011 – I spotted this during a nine mile walk around Grenoside woods on a very wet and dismal overcast Sunday afternoon. It was exactly the type of day that you don’t expect to get a usable photographs then I saw this large old fern it  looked like something from the set of Jurassic Park. Photographed for use as a stock picture.

So there it is my year in photographs,  no beaches in summer,  no fireworks in November and no Santas in December

Nov 042011
 

November kicked off as a bit of a celebrity Meadowhall month. Starting, appropriately, on the first of the month with a WH Smith book signing by Leigh Francis.  In character as TV JUICE host Keith Lemon he was on a promotional book tour for ‘Keith Lemon: The Rules”. A popular read looking at the queues. So popular in fact the signing started early and finished an hour and half later than scheduled, despite Smiths taking the book off sale to avoid fans being disappointed by not getting their copy signed. Leigh Francis is also known for his character Barry Gibson the music paparazzi and his portrayal of celebrities in Bo’ Selecta!

Two Days later, 3rd of November, that’s right not even bonfire night and the behemoth that is the UK retail sales industry is getting into Christmas mode. The Meadowhall Christmas Lights Switch on Concert, an event that strangely had no switch in sight, or Christmas lights either. The fans didn’t care they were there for the acts, besides the event was raising money for Cash for Kids and Meadowhall’s Charity of the Year, Helen’s Trust and with a 15,000 capacity and entry fee of £2.50 that was going to be a success.

Fans at Meadowhalls Christmas lights switch on concert in Sheffield on Thursday evening 3 November 2011. Image © Paul David Drabble (Paul David Drabble)

Opening act was  Tinchy Strider which seemed surprising  for artist with 3 top ten chart places, 2 of which reached the number 1 spot. As he left the audience were informed Tinchy was hopping on a helicopter which would fly him down to London where he had a second gig later that night.

Next up Dance group Rational  followed by  Bee, Holly, Lizzy and Rianna, the Girl group Vanquish then a quick chat and song from Sam Clark, Australian singer/song-writer/actor from Adelade, probably best known as Ringo Brown in Neighbours. The second Girl group of the night was Girl Next Door.

Listed as one to watch Encore recently supported N Dubz and Jessie J. Encore are Mark Asari, Cairo Benn and Pierre Jermaine. If your looking for more info on them its worth noting their web presence seems to be Want more Encore not just Encore.

Six D had some chart success back in the summer when their début single “Best Damn Night” entered the UK top 10. If you think you have seen them somewhere before check the X-Factor talk talk Ads where they appear as dancers.

Cover Drive all the way from Barbados felt the cold. ” We’re not used to this weather” singer Amanda told the audience, backed by T-Ray, Bar-Man and Jamar. They released their first single “Lick Ya Down”  in August, it entered the charts at  #9 and the début album is due for release soon.

Next very talented Ronan Parke the 13 year old Britain’s Got Talent runner up. Ronan made the headlines after Simon Cowell went to the police over allegations that his company SyCo had fixed the show so Ronan would win.

Headlining and officially switching on the Meadowhall Christmas lights, Matt Cardle. Winner of X-Factor 2010 he held the Christmas number 1 spot with “When Worlds Collide” and his new album “Letters” has just been released in time Christmas.

Want see more from Meadowhalls Christmas Lights Switch on Concert? Check out my Facebook Fan Page the link is on the left.

Aug 142011
 

I know its another dog photo but I think  its a particularly good one. That’s because an upside of being a professional photographer is every now and again a day comes along where you have access to equipment that is well beyond the reach of any but the most avid and dedicated or well funded amateur photographer. In this case that piece of kit was a Nikon Prime 300mm f2.8 Autofocus.  At today’s prices you will see no change from £4000 for one of these. Yes that does say £4k, four thousand Great British Pounds for a brand new  f2.8 VR version.  That upside of professional photography also has a down side. The laws of photography as a business say if the item doesn’t pay for itself you can’t buy it.  You may get to borrow it or hire it but you dont own it. So having a 300mm on loan I thought I would use the day take a photo or two for myself.

The photo below is Wallace at full speed chasing down a ball. Its shot on my D700 body coupled the afore mentioned 300mm.

Technical Info for Photo of the Day

Aperture; f3.5

Shutter; 1/4000

ISO; 640

Continuous Auto Focus

Hand Held

Please feel free to comment below…..


 

 

Aug 122011
 

Ever wondered what you can photograph with a Digital SLR and 50mm standard lens in the Dark?

Ever wondered how much use the built in flash is on a Digital SLR?

Yes?

Take a look at this little fellow. We found him in the middle of the patio at 21:40 on summer night in South Yorkshire. Now he isn’t the type of creature you meet around here on a regular basis so I thought he was worth a photograph if only to document what he is. Caught on a wide open patio suddenly lit by a bright outside light with our dog and my partner staring at him from on high had me worried that the the little blighter would have legged it by the time I got back. No time for messing with flash guns and lens swaps I grabbed my digital SLR camera with 50mm f1.8 Nikon lens already fitted and got back outside at the double. He was still there so I grabbed a quick record shot from above looking directly down then decided to use the “get on the subjects level approach.

A small reptile found on the Patio and photographed on a DSLR with 50mm Standard lens and built in flash August 2011 Image © Paul David Drabble

Laying down I used Autofocus to focus on the head and edged forward until the lens reached the closest point of focus. The D700 was already set to 640 ISO and Aperture Priority so I popped up the built in flash checked the viewfinder info,1/60 at F4, and fired off a single frame. I expected the little guy scarper but he didn’t. Now worried the the flash and/or stress of the situation may cause him some permanent damage I decided two frames were enough and we left we left him alone in the dark to go about his business.

Shot original in Nikon Electronic Format(NEF)The first Image was interpolated and croped from this original framing August 2011 Images © Paul David Drabble

Photographers Technical Stuff

Camera Nikon D700 with 12.1 mega-pixel full frame CMOS Sensor

Lens Nikon F1.8 “Standard” Lens

Built in Flash

File Format NEF

ISO 640

Shutter 1/60th of a Second

Apperture F4.0

Aperture Priority

Single Autofocus

The resulting image was still a very small reptile in the centre of a rather large frame so I decided a little cropping and post production interpolation was need. The NEF file was opened on the PC and at this stage I made adjustments to highlights/shadows added a little sharpening and interpolated the image from The D700 best quality of 12.1 Mega-Pixel (4256 X 2832 pixels) to a 25.1 Mega-pixel ( 6144 X 4088 pixels).

Once open the image was cropped, without constrained proportions, resulting in an photograph of approximately 3 X 2 inches at 300 ppi. Wanting a larger end result I interpolated that up in size again. Using Bicubic Smoother setting I made the longest edge 10 inches. That left the final tightly cropped image as a 10 x 6.5 inches 300ppi photograph or 3000 X 1959 pixels.

I may have just over done the size increase but the image was never going to be a “National Geographic” pin sharp, full page, quality picture anyway. Considering the situation and equipment, a 50mm standard lens lit by the pop up camera flash in the dark I don t think is too bad.

If anyone can Identify just what this little guy is I would love to know.

Can any one tell me exactly what he is? please feel free to comment below August 2011 Images © Paul David Drabble

Please comment below

 

 

Jul 182011
 

They say Britain is a nation of dog lovers, they also say never work with children or animals. Have you ever tried photographing your pet pooch only to be disappointed by the results. Here (in no particular order) are a handful of photography tips to help you achieve better results when you’re photographing mans best friend.

  1. First rule of all portrait photography is focus on the eyes. Most dogs have long snouts, so if you focus on the nose the eyes can be out of focus.
  2. Most humans are tall compared to a dog, so get down and shoot from their eye level see the world as they do.
  3. Have a hyperactive dog who just cant stay still? Use a fast shutter speed to freeze the movement when they are running and jumping.
  4. For the older or more sedate natured dog, try a wider aperture setting. This will help reduce distractions by throwing the background out of focus. Don’t forget “most dogs have long snouts”  if the aperture setting is too wide  your best friend could end up with a burred nose.
  5. Some dogs are natural posers, you can get good shots just by getting them to sit while holding their attention with a treat or toy. For most distraction is the key give them something to do or play with  that you know they love then you work around them.
  6. Don’t always work alone and do a little planning. Get another member of the family to hold your hound while you move some distance away. On a preprepared signal get your helper to let your pet pooch go and you grab some great action shots as the dog comes charging towards you. If your auto focus is slow or you dont have follow focus try pre focusing the camera on a fixed spot you the dog will run through and fire the shutter as they cross the focus point.
  7. Sticking with the theme of helpers why photograph your dog in isolation? Get someone you love and who the dog is relaxed with to interact and capture that on camera.
  8. Make it fun! Photography may be fun for you but most dogs are not the type who will happily perform on command for the camera. Make things fun for your pet and it will show up in your photographs through the dogs body language.
  9. Watch,  not the one on your wrist! Watch with your eyes. Your dog is genetically 80% wolf, so while walking with your dog and camera take time to watch and learn its instinctive behaviour and try to capture a more subtle side of  your pets character in your photography.
  10. Know your dog. Good photography can often come from to knowing your subject and being able to predict what’s going to happen.
  11. Sometimes all you need to make a photograph really work for you is a caption!

Right at the start I mentioned they say “never work with children or animals” well here is another tip – many of those tips work with kids too.

Have your own top tips for dog photography?

Feel free to add them below.

Want to give your dog an outdoor portrait session give me call

Apr 162011
 

Some of you may have noticed that I have an interest in most all things military, I also have an interest in the 1940’s, more specifically the second world war. This has led me to invest in a “new” camera, well new to me. Its actually a 38 year old Kiev range finder, a postwar Russian copy of the famed German Contax range finders which were introduced around 1933 and were once the main competitor for Leica.

I intended to buy one of these Russian Contax or Leica clones as a display piece but attempts to find a good looking non working display camera for under a fiver soon evolved into a little bit of a quest to find a reasonable working camera and preferably a Keiv. I wasn’t actually worried about the age of the camera but I did want it to work on 1940’s technology. Then thanks to eBay a Kiev 4, a Contax IIIa copy, arrived along with a very odd desire to put a roll of film through it.

I think I actually imagined I was going to stick a roll of film in this 1940s vintage piece of technology and instantly be able to use it just like my Nikon equipment. However to give you an idea of the differences between this camera and any modern digital SLR or compact I thought about writing a short list of what you don’t get with a Kiev but forget the list. If your camera has the word “auto, automatic, program, mode or electronic before one of its features take it as read the Kiev doesn’t have it. It does have a built in light meter but its not very reliable and you have to read it, work out the exposure settings then manually enter those settings on the camera. Its design requires the camera to be held in a specific way, known as the Contax hold, so the fingers of your right hand don’t block the range finder window and make focusing impossible.

To swap from my Nikon D700 to the all mechanical and manual Keiv for a couple of days was to say the least a culture shock. I am used to knowing my Nikons so well that I pick them up and work them, almost without thought, leaving me free to concentrate on creating images. With the Keiv I was forced into a much slower pre planned, less instant, pace of photography. Not just less instant in the sense you don’t get to see the result straight away but you suddenly realise you have to move the camera away from your eye to set the shutter speed and aperture then again to wind the film on. You are forced to think much more about the image you are about to shoot or want to shoot and makes the grab shot so much more valuable. It has also left me wondering how famed war photographer and Magnum founder member Robert Capa managed the images he did from a pair of Contax II cameras. Despite the totally different way of working forced on me when using the Kiev I think I may just be looking for a Zorki or Fed Leica copy now to sit alongside my Keiv or maybe Ill look for a Kiev clone of Capa’s Contax II.

Mar 182011
 

How To Create A Good PR Photo people actually want to publish?

Recently I wrote a guest post “What Makes A Good PR Photo” for Leeds based Quest PR’s blog. Bloggers will tell you that posts work best at around 300 to 500 words and it was while trying to work within these constraints I realised what I do, what all good PR photographers do, is far too complex to impart as a “How To” in 500 words or less. I was barely scratching the surface of “What Makes A Good PR Photo” let alone how to produce one and that led to this post.

How does a professional PR Photographer Create A Good PR Photo people actually want to publish? He or she considers all the things below and more, though not necessarily in list order.

Is the image sharp?

Where should I focus for best effect?

Shall I use a wide aperture or narrow aperture?

Fast or slow shutter speed?

Natural light or Full flash, Fill-in flash?

Will anything fool the camera meter?

Do I choose Wide Angle Standard or Telephoto lens?

Which camera will be best for the job?

Is it best Mounted on a tripod, monopod or hand-held?

Use camera mounted flash or portable studio flash?

What elements best tell the story?

Which do I include, what gets left out?

Is the background relevant?

Can it be made relevant or is it just distracting?

What’s the best way to set this up for maximum visual impact?

Do I put movement into to an image?

If I do should movement be frozen or allowed to streak ?

Shall I isolate the subject with a blurred background?

Use front to back picture sharpness?

How many people do I use and why?

What’s the message my client is trying to get across?

How do I get the branding in?

Does it look natural or forced or just ruin the picture entirely?

What style do I need to shoot in?

Where will the images appear?

Have I shot Upright and landscape shape?


Beyond considering all of the above the professional PR photographer needs people skills in bucketfuls. Some people are lucky they just enjoy being photographed and/or are simply photogenic. Many are not, good results are required even when the subject hates being in front of a camera. Photographers need to work with people from all spheres of society all ages all outlooks all political persuasions and a good photographer can deal with just about anyone. Sometimes the image will require getting people to do things they wouldn’t normally dream of doing. Other occasions it will require the photographer do something they wouldn’t normally dream of doing.

In short How To Create A Good PR Photo…..

Understand your equipment, use it to best technical effect, understand the brief, interpret it creatively, work well with people and get the best from them in what can sometimes be quite difficult situations.

Mar 052011
 

Three days on from Matt Cardle and it’s back to Meadowhall Shopping Centre, celebrity spotting again. This time it’s Chris Moyles sidecick from Radio 1 “Comedy Dave” Vitty.  Now a Dancing On Ice Star “Comedy Dave” was signing autographs and meeting fans in the lower arcade close to Marks & Spencer as part of the  promotion for  Torvill & Dean’s Dancing on Ice 2011 Tour which has its opening night on the 9th of April 2011 at Sheffield Motorpoint Arena. As part of the promotion fans were also given the opportunity to win Torvill & Dean skating costumes as worn by the superstar skating couple, a signed skating boot and free tickets.

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Feb 242011
 

15 degrees C and sunny… Its beginning to look a bit like springtime in Ecclesfield

Nikon

D700

50mm f1.8 lens

400 ISO 1/800 at F8