Feb 232011
 

Have you ever wondered why professional freelance photographers keep their copyright and talk in terms of intellectual property and licensing? After all the whole idea of hiring a professional photographer is so that you can use the pictures you paid them to take for you right? Yes it is and during the snows of 2010 I received a call asking if I would be free to photograph Deana Sampson a past UK National lottery winner for use on the winter cover of the Lottery winners own Magazine and to accompany an article about her in a national newspaper. The trouble was snow and ice was causing traffic chaos, the sky’s were generally grey and cloudy resulting a flat uninteresting light and a to make matters worse the photography was to be out of Sheffield so the roads I would be travelling on were very likely to be untreated. This looked like it may well be a job destined for disaster, but I have always loved a challenge and hate letting any client down. With that in mind I said yes to the job and pointed out the potential pitfalls, checked the weather and between myself the client and Deana we put in place a plan ‘A’ and plan ‘B’ One of those two two plans was a good one and resulted in some really nice wintry Christmas images images that fulfilled the clients brief.

So what does this have to do with photographers keeping copyright?
Well when Woman magazine got in touch with Deana asking to do a story about her during that process she very kindly pointed out to them that I already held some nice images of her and gave them my contact details. The result was a call from their picture editor who looked through the images and chose two to accompany their double page spread. I could do this because I keep the copyright of the images I shoot.

Tear Sheet Deana Lottery Winner Woman Magazine.22 February 2011.Images © Paul David Drabble

This all probably seems very unfair to the original client who paid for the images to be shot but in actual fact its the opposite. The original client only paid to use the images as they needed to. The magazine did exactly the same they paid for the use they required.

Still not making sense? Try thinking of it this way. A small tin of baked beans might costs 35p and realistically it will feed one person one meal once. If you want to feed two people you have to buy two small tins or one large tin. Either way the manufacturer and retailer of the beans get paid every time you want baked beans. If you want all the beans you can eat for the rest of your life you have to pay even more money, either to buy enough tins in bulk or weekly or if it works out cheaper to buy a baked bean factory which produces cooks and cans your baked beans. Any which way its a lot more than 35p. So the original for the original client and the magazine it was really a little like them paying for the “beans” they required. OK this isn’t an exact analogy but it does go some way towards explaining the situation.

How does that help anyone thinking of hiring a PR photographer? It shows there is no need to be afraid of licensing embrace it, its good. You only pay for what you need. If you are commissioning a photographer think about why you want the photographs, how and where you want to use them. Don’t be afraid to pick up the phone, call a photographer and ask, all the photographers I know are flexible when it come to licensing agreements. You tell them what uses you do and don’t need and they can tailor a license fit your needs. Photographers are just like any other small business they trying to make a living in difficult times.

Jan 302011
 

I bought my partner Black Diamonds for Christmas. Not  the ‘Black Star of Africa’ or ‘Table of Islam’ type, she isn’t that lucky because I’m not that rich, it’s one of the downsides of being a professional photographer. What I did buy her was the book “Black Diamonds: The Rise and Fall of an English Dynasty” by Catherine Bailey. It tells the epic and stranger than fiction story of the Fitzwilliams, who claim descent from William the Conqueror and once owned what was, in fact still is, the largest privately owned house in Britain, Wentworth Woodhouse.

I have lived in South Yorkshire all my life, I have heard of the Fiztwilliams, Wentworth House and that there was something special about the place but as is often the case with things you grow up around I hadn’t really given it that much thought. Even when one of my first assignments as full-time professional press photographer was to cover the wedding of  Wensley Haydon-Baillie, one time owner of Wentworth Woodhouse who married at Wentworth’s “new” Victorian Church with Prince Michael of Kent reportedly as his best man, I didn’t really think beyond that immediate story.

Above left: Former owner Wensley Haydon-Baillie and his new bride are congratulated by a local as they walk the footpath back to Wentworth Woodhouse from the Fitzwilliam family Church. Above right: Prince Michael of Kent attends Haydon-Baillie’s wedding in Wnentworth.

Below: Commissioned by the 6th Earl of Fitzwilliam in 1872  at a cost of around £25,000 in memory of his parents, with a spire of almost 200 feet tall Wentorth Church is visible for miles around. Dedicated to the Holy Trinity it was designed in Gothic revival style by leading Victorian church architect James Loughborough Pearson who later designed Truro Cathedral.

Wentworth Woodhouse, the size of the building is breathtaking.  Built by Thomas Watson-Wentworth, 1st Marquess of Rockingham, added to by his heir, in the nineteenth century it was  inherited  and became the family seat of the Earls Fitzwilliam. It took a Scots Lass Born in Glasgow, who strangely enough can trace her ancestral linage back to one of  William the Conqueror’s Noblemen to pique my interest in the place enough to try and capture the grandeur of its East façade. This is really the only shot that can be taken of the house as it is a privately owned house and not open to the public.

You really do have to stand in front of this Grade I listed country house in Wentworth, South Yorkshire to fully appreciate its size. The East Front, 606 feet (185 meters) long, it is the longest country house façade in Europe. With 365 rooms the house covers an area of over 2.5 acres (10,000 square Meters).  Currently it is owned by a retired architect in his 80s called Clifford James Newbold who, if what I have read is to be believed….

  • Paid in excess of £1.5 Million pounds for Wentworth Woodhouse.
  • Paid £1.5 Million pounds for Wentorth Woodhouse
  • Moved from a “family sized home” in Highgate to Wentworth Woodhouse.
  • Lives there alone.
  • Is a recluse
  • planned to convert it into three homes for his family.
  • Is is progressing with a defined programme of renovation/restoration.

I’m only guessing here but I think its probably fair to say some of the things written about Mr Newbold may not be quite accurate.

  • What seems fairly certain is in 1998 he was Master of the Guild of Freemen of the City of London.
  • In May of 2010 the guild held three events
  • Thursday 13 May 2010 – Weekend Visit to Wentworth Woodhouse
  • Thursday 13 May 2010 – Reception & Gala Dinner – Wentworth Woodhouse
  • Friday 14  May 2010 – Day Visit to Wentworth Woodhouse

If Britannia Historical Attractions are to be believed when the house went up for sale for £1.5 Million pounds it would “require ten times that to restore”  and  “In Early May 1999, Wentworth Woodhouse was purchased for a figure substantially in excess of the guide of £1.5m”

While I haven’t seen them apparently Country Life Magazine published evidence of the restoration and renovations in issues dated 17 February and 24 February 2010.

Its seems as though some people are always willing to believe the worst, something borne by the graffiti on the sign at the entrance to Wentworth House. Surrounded by a 150 acre (0.6 km²) park the numerous “Private”  and  “Keep off the Grass” signs gave me the feeling that my presence was being  suffered because it is a public right of way rather than welcomed. If like me the mysteriousness of Mr Clifford James Newbold has raised your curiosity levels a photograph of the present owner can be found here under the heading “Presentation to the Guild 27 February 2008”

Dec 012010
 

I could use this post go into how this is the earliest, coldest, most widespread, worst snow to hit Britain since 1985, 1993, in 20 years or more than 20 years, living memory, the exact details seem to depend upon  where your source your news. I could also continue by listing, warning of areas not to drive, rail disruption, airport closures, school closures, accidents, at least 3 deaths, record low temperatures and how the odds have been slashed by bookies on a “White Christmas” but I wont. I will let these few photographs taken around the Ecclesfield and Chapeltown area of Sheffield, South Yorkshire over a period of 2 hours on the evening of 30th of November and a further 2 hours from around 10:00am on the 1st of December 2010 speak for themselves.

Nov 212010
 

OK so they didn’t visit Sheffield today or even together and while these photos may not be exactly “before they were famous”  the headline did get your attention long enough to read this far so here come a few old pictures of the current X Factor Judges visiting Sheffield starting with Cheryl Cole


Most of these were shot back in November 2004, bonfire night to be precise. The on stage shots were a personal appearance by Girls Aloud at Sheffield’s main public bonfire and and fireworks display, earlier that day Cheryl and the the Girls had done a live radio interview at Hallam FM studios. The images of Cheryl in pink are from the Girls Aloud show at Sheffield Arena on th 20th May 2005.

Next up is Simon Cowell at Meadowhall shopping centre where he was officially switching on the Christmas lights back in 2004. Most of the images I have included are from the back room area and were candid shots of Simon being interviewed by various local media journalists before he stepped out into the public glare.

Finally Dannii Minogue from back in 2002 when she  performed at Sheffield Arena with the Smash Hits tour.  The photos show her both on stage and back stage during interviews.

My personal favourite is the one of Dannii holding a Polaroid picture. I remember she rushed into the room where the interviews were being held waving the picture excitedly saying “I’ve just had my picture taken with Blue”  it  just goes to show celebrities can find themselves star struck just like everyone else .

Nov 072010
 

www.pauldaviddrabble.co.uk

Saint Mary’s Church Ecclesfield also Known as “The Minster of The Moors” is the final resting place of Rev. Alexander John Scott, Chaplain and close personal friend of Admiral Lord Nelson. It was to Rev. Alexander John Scott that Nelson spoke his last words  “God and my country.”  below decks of the Flagship HMS victory at the Battle of Trafalgar. Nelson died at 16:35 on the 21 October 1805. His friend Scott lived to the age of 72 and died in 1840.

Its odd that Scott should have  been buried in Ecclesfield. He was not born in the area and didn’t live in the area. He was in Ecclesfield visiting his daughter Margaret, a well known writer of the time  who was married to the then Vicar of Ecclesfield Alfred Gatty, when he was taken ill and subsequently died. What is stranger is travel five miles  by road and under what is now a Tesco car park is where the Walker Iron Works of Masbrough was. They cast about 80 of the 105 guns carried by HMS Victory into Battle at Trafalgar. Closer still is the village of Grenoside, only two and a half miles away, where Samuel and Aaron Walker began to manufacture Iron in the early 1740s before relocating and starting in 1746 as Walker Iron Works of Masbrough.

Photographers Technical info

  • Camera Nikon D700
  • Lens Nikon 50mm f1.8
  • ISO 200
  • Aperture F8
  • Shutter 1/200
Nov 012010
 

07:00 hrs ,as the military call it, is an early morning start at St Dunstan’s in Sheffield, this morning Im  covering the beginning of a fund raising challenge 10 squaddies 10-marathons 5 days.  Ten soldiers, (or Squaddies) from 39 Engineer Regiment Cambridge, and their support team. The team totalling around 14 are undertaking  10 Squaddies, 10 Marathons, 5 Days challenge to raise funds for the only charity to provide direct support, rehabilitation  and training to service personnel and veterans blinded in conflict.

If  the challenge of 10 Marathons in 5 days wasn’t “hardcore” enough for these members of the British Army,  “just to make it a little more interesting” they will be also carrying 40lb Bergen’s and wearing combat boots” on a gruelling test of endurance. Thirty-four year old Staff Sergeant  Jim Offord (the man  behind the fund raiser) and nine fellow soldiers will complete a marathon every six hours,  day and night, followed by six hours recovery time as they tab from St Dunstan’s Rehab & Training centre in Sheffield on the 1st of November  to finish at St Dunstan’s centre near Brighton in East Sussex on the 5th of November.

“I created the 10 Soldiers, 10 Marathons in 5 Days to support St Dunstan’s as we want to give something back to a charity that helps fellow soldiers. I threw in the idea of wearing our Bergen’s filled to weigh 40lbs, plus combat boots to keep it interesting and opted to do 10 Marathons in 5 Days as I couldn’t find a record that it had been done before. Said Jim.

The original aim of the this mammoth effort was to raise £4,800 for St Dunstan’s but that target has already been smashed and the Engineers have reached £10,000 more than double their initial figure.

Staff Sgt Jim Offord, (front) and team members from 39 Engineer Regiment , Lance Corporal Dean Howard, Corporal Dave Little, Sapper Darren Pallatina, Lance Corporal Rich Holmes, Corporal Mark Cammock, Sapper Garry Scott, Lance Corporal Dave Hopkins, SSgt Darren King, Sapper James Payze, Captain Jo Miles, Sgt Steve Bedford and, Lance Corporal Lee Melia with support team members Ami Offord paramedic and Arlene Howard sports physio. Who will be working to complete the 10 Squaddies, 10 Marathons, 5 Days Challenge carrying 40lb Bergens. The team aimed to raise £4800 for St Dunstan’s Charity for blind ex-Service men and women but the figure now stands £10,000 raised…1 November 2010 .Images © Paul David Drabble

Rough Guide to the route……..

Monday 1 November The team left St Dunstan’s Sheffield around 8am aiming to arrive at Chetwynd Barracks, Chilwell, near Nottingham at 4pm. From there they will head for Loughbourgh University arriving on Tuesday 2 November. The second day sees the group tab to Nuneaton via Leicester before heading for Staverton Park Hotel Daventry where they will arrive on Wednesday 3 November. They will leave Staverton Park Hotel heading for Milton Keynes TA Centre and from there to Sportspace, Hemel Hempstead, Herts. Which they will reach on Thursday 4 November They will leave Sportspace at 12 noon  and march into London along the Edgware Road at 2.30pm on Thursday 4 November to visit St Dunstan’s HQ in Marylebone, where they will be greeted by soldiers the charity works with, ex-Service men and women, staff and supporters. They will leave St Dunstan’s HQ at 8pm to tab to the TA Centre, Northgate, Crawley arriving on Friday 5 November. The team start at 8am to tab the final marathon, through Brighton, arriving at St Dunstan’s Rehab & Training Centre, Greenaways, Ovingdean, east Sussex. Where they will cross the finish line to massive cheers from the soldiers the charity works with, staff and supporters and the people who have followed them through the streets of Brighton.

Oct 252010
 

Everyone misses a picture, even the pros don’t get every shot every time but sometimes, just sometimes there is something you can do to salvage an image you really wanted but just didn’t quite get.

The photograph below is my cousin with his niece at a family party. I spotted the opportunity grabbed the camera and the shot unfortunately having consumed the odd  (double)  Bacardi and Coke or two I missed one small but very important detail, the on button for the flash. Three frames later, the moment has passed and the best of the three images is the one below, rather orangey red, dark and slightly too soft.

Carl & Pauline 30th anniversary.23 October 2010 .Images © Paul David Drabble

For the technically minded it was shot on a Nikon D700 and 50mm f1.8 lens. The settings were manually set to:  1000 ISO,  f4.5,  1/60th sec.

On the night I wrote off the shot  as a duff one but I didn’t delete it, I never do, I think its because, back in the days of film, I was taught never throw away a negative.  The next morning , well OK  lunchtime, it was a great party and we did have one or two more of those Bacardi and Cokes, I spotted the shot again and considered it worthy of five minutes  TLC.  My first instinct was to lighten it and try and take some of the redness out. While I was pleasantly pleased with the results of lightening the photograph it quickly became apparent that recovery wasn’t going to be totally successful thanks to masses of colour noise while trying to get the colour balance right, at which point I decided to get all retro and just turn the thing Black and White. A little more fiddling this time with contrast  and unsharp mask to loose some of the softness in the photograph and finally a little cropping to tighten the picture up and hey presto the result……..

Carl & Pauline 30th anniversary.23 October 2010 .Images © Paul David Drabble

You cant make a silk purse out of sows ear, as they say, and the same goes when trying to  recover a photograph  like this one. Sometimes a mistake will leave you with an image that really is not salvageable, no matter how skilled you are or how much time and effort you put into it, so be realistic.  This photograph will never be a technically perfect image it will always be a little soft and a little noisy  but  it does leave me with a  satisfied smile, especially after reading mums comments about her daughters photo in my Facebook  photo album.

Oct 202010
 

The  leaves of a Sycamore tree turn autumnal red and gold in Ecclesfield Park  20th October 2010

Leaves of a Sycamore tree turn autumnal red and gold against the background of the trees trunk, branches and clear blue sky .20th October 2010 .Images © Paul David Drabble

Photographers Technical info

  • Camera Nikon D700
  • Lens Nikon F2.8/80-200mm (set at 85mm)
  • ISO 400
  • Apperture F5.6
  • Shutter 1/1000
Sep 282010
 

I don’t mean in their suitcase I mean photography. Well here are a few holiday snaps from our holiday in Whitby North Yorkshire this September (2010) with what I hope you will find are some useful captions to inspire those who feel their “holiday snaps” are a bit of a let down.

We arrived in the afternoon and after settling in decided to take a walk up the hill to St Mary Church. As we wondered through the grave stones I looked up to spot this. The abbey with the Grave stones of the church in the foreground. I have never really been happy with shots of Whitby abbey from outside the walls until this one. Its shot on a wide angle to give the grave stones more emphasis and stop the abbeys boundary wall dominating the photo.

From the Church we walked down the 199 steps, headed to the harbour. The late sun was catching the the white tops of the waves and spray off the sea as you look west up the coast towards Sandsend from the Harbours west pier. The people and gulls on the beach help give sense of scale to the scene, while exposing for the highlights adds atmosphere bringing out the cloud formations, catches the spray over the distant waves and turns the figures into silhouettes.

Day two we headed up to the whalebone arch and Captain Cooks statue. Getting two landmarks of Whitby in  a single picture I used a telephoto zoom to get St Mary’s Church framed in the top of the Whalebone arch.

Walking along the top of the cliffs towards Sandsend and looking down on the beach you come to the multi coloured beach huts. Again shot on a telephoto zoom lens, this picture uses diagonal composition to add interest and, although you cant really see him on this small version, if you click through to the larger version you will see there is a lone figure stood close to the waves which gives the viewer an idea of the scale.

I got a little carried away on day three when we visited Whitby Abbey. The sun, an almost totally clear blue sky and the abbey almost empty of visitors was a little bit of a photographers dream come true.

Top left: Is taken on a wide angle lens,  I hid the sun behind the abbeys walls exposed for the brightest parts of the pictures turning the walls and shadows black.

Top right: Its Always worth grabbing a shot of a sign when visiting somewhere if you later decide to put together a slide show or a screen saver you can use them like the titles in a film. Don’t just photograph them straight on try a few angles and see what you come up with.

Bottom left: Sometimes even when you have a wide angle lens you just cant get everything in. This is two pictures “stitched” together. Stand in one spot, look at what you want in the photo and just turn (on the spot) to the left or right. The trick is not to move from where you are stood keep the camera level and make sure the edges of the pictures have some overlap.  Use computer software to merge the photos into a single image with a wider view than your original lens. This option can be found built into some compact cameras making it even easier.

Bottom right: Ever tried taking a picture of a tall building only to find it looks like it falling over backwards when you look at the photo? You either have to get further away or buy a really expensive camera, like specialist architectural photographers use, or try to fix the problem on the computer in a program like Photoshop or Googles Picassa. There is another alternative though, you can really go for the converging verticals and strange angles to create your own very striking images.

This is Whitby photographed photographed around 5:00pm, exposing to keep the detail in the sunlight white painted buildings darkens the shadows and brings out the reflection of the buildings on the water. This is another two photograph joiner or stitched together shot which has been cropped into a long thin panoramic images. Keep in mind that just because a camera produces a particular shaped photo doesn’t mean it has to stay that shape, you can crop them when when you get home.

So you have photographed to local tourist attractions and the scenery don’t forget the wild life. Whitby isn’t exactly know for big game or exotic animals but it does have its fair share of Seagulls in this case  Herring Gulls. Keep your eyes open for the common everyday things and shoot more than one frame at worst you improve your chances of getting a good image at best you get more than one good one.

What about getting the family in the pictures? Well day four was trip out to Robin Hoods Bay.

Top left: Aileen and Wallace, if you decide to pose the family up with a sign showing where you have been don’t always go for the obvious  sign above their head style shot, sometimes there are other options if you keep you eyes open. This sculpture had Robin Hoods Bay 2000 carved into it so posing them up on it tells us where it was taken even if the date is somewhat misleading.

Top Right: The best family shots aren’t always the posed ones sometimes action and sometimes candid is where the real photos are to be found. Wallace heard the first click of the shutter and decided that was enough of the posing this one is the second frame as he took off to play so always be ready and never shoot one frame where two will do a better job.

Day Five found us back in Whitby. We decided it would be a good idea to take the 25 minute trip around the bay on the replica of  Captain Cooks Bark Endeavour.  While waiting on the quayside we were passed by the Haven Seajack One, a jack up barge, being pushed out to sea by tug work boat VOE Service and guided by the pilot boat St Hilda. It was on its way to start work on Whitby Harbours East pier.  Remember wherever in the world you go on holiday is where someone else lives and the day to day things in their everyday lives can give you a photo opportunity a chance of something a little different.

Bottom left: The Seajack one being Navigated through Whitbys open swing bridge, a prime camera angle had anything gone wrong while making her way through.

Bottom right: It would have been nice to get this  shot from the other side, with Whitby in the background but that means we would have needed to already be on the Endeavour, so as you see professionals don’t get exactly what they want every single time.

Day six was a day trip to Scarborough where we wandered around the shops and amusements unusually I didn’t take a single picture and so on to day seven which answers the question what to photograph if the weather is bad on holiday? The answer is the weather!

High winds and high tide combine as a rough sea crashes against Whitbys outer harbour making for some quite spectacular waves at times

If you spotted this and wanted to know what I packed well camera kit was a Full frame Nikon Body, with 24mm wide angle lens, 50mm Standard lens and 70-200mm zoom lens. nothing that couldn’t really be covered by a good quality amateur compact.

If you want to see more images from the week check the slide show below.

Sep 122010
 

An excellent film about Brian Duffy one of the top 3 London photographers of the 60’s who made his name along side David Bailey and  Terence Donovan. Its a compelling look at a real photographer who worked in real photography and at a time before Photoshop. At the hight of his career he burned his negatives and walked away from photography not returning until his Son Chris found some of his work and inspired his dad back behind the camera.

Watch “Duffy The Man Who Shot the 60’s”

Visit Duffy’s website