Mar 182011
 

How To Create A Good PR Photo people actually want to publish?

Recently I wrote a guest post “What Makes A Good PR Photo” for Leeds based Quest PR’s blog. Bloggers will tell you that posts work best at around 300 to 500 words and it was while trying to work within these constraints I realised what I do, what all good PR photographers do, is far too complex to impart as a “How To” in 500 words or less. I was barely scratching the surface of “What Makes A Good PR Photo” let alone how to produce one and that led to this post.

How does a professional PR Photographer Create A Good PR Photo people actually want to publish? He or she considers all the things below and more, though not necessarily in list order.

Is the image sharp?

Where should I focus for best effect?

Shall I use a wide aperture or narrow aperture?

Fast or slow shutter speed?

Natural light or Full flash, Fill-in flash?

Will anything fool the camera meter?

Do I choose Wide Angle Standard or Telephoto lens?

Which camera will be best for the job?

Is it best Mounted on a tripod, monopod or hand-held?

Use camera mounted flash or portable studio flash?

What elements best tell the story?

Which do I include, what gets left out?

Is the background relevant?

Can it be made relevant or is it just distracting?

What’s the best way to set this up for maximum visual impact?

Do I put movement into to an image?

If I do should movement be frozen or allowed to streak ?

Shall I isolate the subject with a blurred background?

Use front to back picture sharpness?

How many people do I use and why?

What’s the message my client is trying to get across?

How do I get the branding in?

Does it look natural or forced or just ruin the picture entirely?

What style do I need to shoot in?

Where will the images appear?

Have I shot Upright and landscape shape?


Beyond considering all of the above the professional PR photographer needs people skills in bucketfuls. Some people are lucky they just enjoy being photographed and/or are simply photogenic. Many are not, good results are required even when the subject hates being in front of a camera. Photographers need to work with people from all spheres of society all ages all outlooks all political persuasions and a good photographer can deal with just about anyone. Sometimes the image will require getting people to do things they wouldn’t normally dream of doing. Other occasions it will require the photographer do something they wouldn’t normally dream of doing.

In short How To Create A Good PR Photo…..

Understand your equipment, use it to best technical effect, understand the brief, interpret it creatively, work well with people and get the best from them in what can sometimes be quite difficult situations.

Oct 252010
 

Everyone misses a picture, even the pros don’t get every shot every time but sometimes, just sometimes there is something you can do to salvage an image you really wanted but just didn’t quite get.

The photograph below is my cousin with his niece at a family party. I spotted the opportunity grabbed the camera and the shot unfortunately having consumed the odd  (double)  Bacardi and Coke or two I missed one small but very important detail, the on button for the flash. Three frames later, the moment has passed and the best of the three images is the one below, rather orangey red, dark and slightly too soft.

Carl & Pauline 30th anniversary.23 October 2010 .Images © Paul David Drabble

For the technically minded it was shot on a Nikon D700 and 50mm f1.8 lens. The settings were manually set to:  1000 ISO,  f4.5,  1/60th sec.

On the night I wrote off the shot  as a duff one but I didn’t delete it, I never do, I think its because, back in the days of film, I was taught never throw away a negative.  The next morning , well OK  lunchtime, it was a great party and we did have one or two more of those Bacardi and Cokes, I spotted the shot again and considered it worthy of five minutes  TLC.  My first instinct was to lighten it and try and take some of the redness out. While I was pleasantly pleased with the results of lightening the photograph it quickly became apparent that recovery wasn’t going to be totally successful thanks to masses of colour noise while trying to get the colour balance right, at which point I decided to get all retro and just turn the thing Black and White. A little more fiddling this time with contrast  and unsharp mask to loose some of the softness in the photograph and finally a little cropping to tighten the picture up and hey presto the result……..

Carl & Pauline 30th anniversary.23 October 2010 .Images © Paul David Drabble

You cant make a silk purse out of sows ear, as they say, and the same goes when trying to  recover a photograph  like this one. Sometimes a mistake will leave you with an image that really is not salvageable, no matter how skilled you are or how much time and effort you put into it, so be realistic.  This photograph will never be a technically perfect image it will always be a little soft and a little noisy  but  it does leave me with a  satisfied smile, especially after reading mums comments about her daughters photo in my Facebook  photo album.