I used the Fuji X-Pro1 60mm f2.4 at couple of 1940’s events over the last couple of weekends, Kelham Island Sheffield and East Park Hull. Probably the most challenging of things to shoot were the Spitfire/Hurricane Flypast at the Hull Veterans weekend. I intended to use my Nikon D700 with 80-200mm but was caught out after being told the flypast would be Sunday. It actually happened very late on Saturday. I only had time to flick to AFC and shoot fortunately the camera was set as described in my last post resulting in the aircraft images included below. The exposures were f11 1/350 or better all at ISO 400.
Make Modern Photographs Vintage- With the increase in popularity of vintage events, 1940’s weekends and re-enacting seems to have led to a trend for ageing digital photographs and trying to make them look like period images. To help photographers who want their photographs to look like film from the 40’s here are a few tips to make modern photographs vintage
The first problem is image quality. Most modern digital cameras handled correctly produce images of significantly higher quality than than their equivalent from the 1940’s. My method of knocking down the image quality is to take my original image, size it down by 50% or more then interpolate it back up to its original size. This can still leave the image too sharp if it is I use a blur filter to soften the image further.
Next desaturate the image but desaturation alone tends to give a harsh and crisp black and white, which leans towards having a blueish tinge. Using colour balance tools to add yellow (or remove blue depending upon how you look at it) and add red will allow you to get a warmer tone that you can make look anywhere from a natural looking black and white through to a sepia tone.
Now add the film grain effect. Create a new layer which will need to be in overlay mode or similar with 100% opacity of middle or 50% grey. On this new layer you carry out two steps.
First add noise, how much will depend up how grainy you want your final image to look, again I start around 50% however make sure the noise is monochrome, there would be no colour noise in a 1940’s B&W photograph.
Second step is to blur the noise so it looks less like sharp dots and more resembles real film grain Gaussian blur is my preferred choice usually around 2 or three pixels.
At this point it’s worth comparing your manipulated image with genuine pictures from the period to make sure you have a reasonable match for colour tone and softness before merging the layers and moving onto cropping.
I prefer to crop either the 3:2 proportion of 35mm format or the square format of 6×6 you could also use 10×8 but a give away that your image may not be “period” would be to crop it at A4 as this probably would not have been a popular shape of the time unless you are going on to mock-up a period magazine cover. Once cropped its time to add a white border I add a 10% border relative to the cropped photograph This can be done by using something like the “Canvas Size” tool in Photoshop or you could just create a new plain white image document in your editor then drag your manipulated photograph into the middle. Once the border is sorted for that final touch of authenticity you can use a softening tool like adobes blur tool to soften the really hard edge between the beginning of the image and the white border and really make modern Photographs Vintage.
As we get to the end of one more year I thought I might go through my archive of photographs and do a 2011 in pictures blog. A straight forward enough idea look back and choose some images but then came the questions…
How do I choose them?
From a whole year how many should I choose?
What about if I had 3 really nice photographs for one month but weaker ones shot in another?
Should I include personal photographs?
I decided I would choose one image taken during each month of the year, this would naturally limit the me to 12 photographs and force me to show some images I may not otherwise have selected. This collection of photographs is not a list of the 12 biggest news stories or celebrities or PR jobs I shot during the year. It’s not even necessarily the best 12 photographs I produced in 2011. It is a personal choice of pictures which are my some of my favourite photographs, some produced as commissioned images and others as personal images, one from each month of the year.
January 2011 – Hatfields Jaguar Dealer Principal Andrew Jeffery in the refurbished show room on Sharrow Vale Rd PR image commissioned by PFPR. This was one of my very first photographs of the year I really like the way I was able to both the Jaguar and Hatfields Brands in the same photograph despite them being in separate places,its not something that can always be achieved when building a PR photograph using two brand names.
February 2011 – Chris Huhne Secretary of State for Energy and Climate Change visits Casa hotel in Chesterfield to hear about the hotel buildings energy efficient design and renewable energy. PR Image Commissioned by Bonner and Hindley This one is a very straight forward un posed grabshot I think its the light I love on this large windows in the boardroom allowed bags on even natural light in.
March 2011 – A protester grabbed by police after crossing the “Ring of Steel” fence in Barkers Pool, outside Sheffield city Hall where the Liberal Democrats are holding their Party conference Conference. A grabshot on a 17-35mm wide with the full frame Nikon D 700. I caught movement out on the corner of my eye and turned to see the police grabbing this protester after he had climbed over the metal barriers. Photograph shot on spec
April 2011 – Dancing on Ice Photocall Motorpoint Arena Hayley Tamaddon and Denise Welch joke in front of the cameras After posing with their dancing partners in the show Haley and Denise wandered back across to the photographers and began a few outlandish poses as though they were a dance couple. I grabbed a several photographs but especially like this frame, it captures the point at which they posing stopped and dropped into fits of laughter Photograph shot on spec.
May 2011 – My partner Aileen as watches the other runners cross the finish line while looking for her two young granddaughters who were also running. She had just completed the “Race for life” at Calendar Park in Falkirk. Personal Image
June 2011 – A wild Poppy growing on waste ground in Ecclesfield. As a freelance I carry a camera everywhere this was photograph was taken during a Monday morning walk with my camera when business was quiet. Photographed for use as a Stock image.
July 2011 – The Ponderosa “Spam” 1940’s war weekend held in Heckmondwike. Reenactors from the Northern World War Two Association portray German Panzergrenadiers from the Elite Heer (army) GrossDeutschland Division, defending a camouflaged mortar pit from attacking allied troops. Personal Photography Project
August 2011 – Wallace chases a ball in Ecclesfield Park while out walking. I took this on a borrowed 300mm F2.8 Nikon hand-held. I was about to do sport for a newspaper for the first time in a number of years and thought I would get a bit of practice in. Personal Image.
September 2011– Walkers Fresh Hot Crisp Tour comes to Barkers Pool Sheffield as Masterchef winner Lisa Faulkner Shows the three simple things that go into making a bag of crisps PR Image Commissioned by Freud Communications .
October 2011 – Complete with coffin, candles and gravestones a Vampire Fashion Show part of Sheffield’s Fashion Week. Photograph shot on Spec
November 2011 – A small wooden cross and poppy of the type that can be found on almost every War Memorial in the UK. This one was standing in among the remains of an old stone building on top of one the hills overlooking Langsett Reservoir on the Sunday after remembrance Sunday. Alone and out of the expected context it makes a poignant image. Photographed for use as a stock picture.
December 2011 – I spotted this during a nine mile walk around Grenoside woods on a very wet and dismal overcast Sunday afternoon. It was exactly the type of day that you don’t expect to get a usable photographs then I saw this large old fern it looked like something from the set of Jurassic Park. Photographed for use as a stock picture.
So there it is my year in photographs, no beaches in summer, no fireworks in November and no Santas in December
As a full-time professional Press and Public Relations photographer I tend not shoot many weddings, but sometimes the areas of News PR and Wedding photography do cross over like this wartime wedding. Andy Hacking and Kath Plummer who are both World War Two reenactors announced they would be getting married at Lytham during the Fylde Coast Wartime Weekend, and they would be doing it 1940 style. Uniforms, reproduction 1940 wedding dress, vintage armoured car to whisk away the bride and groom, right down to ration books at the reception and a little like the World War One Christmas of 1914 there was the slightly surreal sight of German and allied troops fraternising and forming a guard of honour for the happy couple.
Best man Dave straightens Groom Andy’s button hole before they move inside the church and greet some guest while awaiting the brides arrival.
Just like the 1940’s bride Kath arrives on foot, but that’s petrol rationing for you, then a brief nervous wait at the back of the church for the air raid warning to stop and the ceremony begins
After the marriage service and register signing the happy couple make their way back down the church aisle to the Dam Busters march, pose briefly for a picture at the church door then out for the official photographs.
Confetti, a sweep, a yank selling nylons, bridesmaids who know the drill, friends, family, a Guard of honour including German troops and the the 6th Airborne what more could a soldier and his bride want from a wedding?
How about a genuine 21st century press pack including local video news camera crew and a fist full press photographers!
Travelling in style
“Katie Katie give me your answer do………. “
“………For you look sweet upon the seat of Dingo made for two!”
Ration packs, ration books 1940 entertainment a world war two wartime-style wedding right through to the reception.
Weekend of the Saturday 9 and Sunday 10 of July found the Ponderosa Centre in Heckmondwike was the scene of skirmishes and an pitched battles as once again they held “SPAM” the Ponderosa Wartime Weekend. The aim of SPAM is to transport visitors back to to the 1940’s, give them a taste of what life was like for the civilians and and soldiers of all nationalities who fought their way across Eastern and Western Europe.
Bigger and better than ever before gunfire could be heard though out the two days as Allied and Axis reenactors who were living in and around trenches, foxholes, dugouts, bunkers and a TV set style derelict village sent out patrols to reconnoitre and probe their enemies positions.
The weekend included a Spitfire flypast on Saturday while on both days military vehicles including three US tanks, a Hellcat, Marder Tank-killer, British Daimler Dingos, US M3 Halftrack, SdKfz 251 Ausf. C Halftrack, Wyllis Jeeps and Kubelwagen all owned by private collectors and members of the Northern World War 2 Association and Military Vehicles Trust were just some that could be seen on static display and in a drive by parade.
Many of the same vehicles also took part in the grand finale each day. A western front battle with TV quality pyrotechnics which pitted Germany’s Panzer Grenadier Division Großdeutschland, 21st Panzer Division and Infanterie Regiment 208 against the US 101st and British 6th Airborne, with the East Yorkshire Regiment. The end of scenario has Axis units prepare and launch a counter attack against advancing Allied forces, but the combined British/US Armour and infantry push them back with American tanks destroying the Germans fuel dump before finally over running the thier positions as the axis resistance collapses.
Below: The last stand of Großdeutschland. British 6th Airborne division accompanied by members of the French Resistance overrun and destroy one of Germany’s Elite units at the Ponderosa Heckmondwike.
Should this leave you wondering what the Ponderosa Wartime Weekend looked like from reenactors point of view here are a couple of shots
Unteroffizier “Wolfgang Spengler” in command of the Eight man squad plus one “Kreigsberichter” of the Panzergrenadier Division Großdeutschland somewhere in NorthYorkshire
Point man “Stefan Kollers”
Above: From a gulley on the tree line Feldwebel “Otto Henning” looks for any unexpected movement as two of the squad move forward across open ground to the wreck of an old tank. Below: Having safely made it to cover Gefreiter “Hans Altmann” looks back as his comrade checks for enemy movement to the front, before calling up the rest of the men.
The remainder of the squad wait anxiously for the signal to make their way across the open ground and into cover.
Having made it into woodland without being ambushed the men of Panzergrenadier Division Großdeutschland take a breather. Above Right: Using an Esbit stove and German mess kit Gefreiter “Johann Rechenmacher” and other members of the patrol share a coffee while others (Above Left and Below) rest or chat quietly so as not to give their position away.
Below: The Großdeutschland squad anxiously wait for the return of point man “Stephan Kollers” who has been sent ahead to investigate gunfire.
Unteroffizier “Wolfgang Spengler” orders his men into position as they advance on an “enemy position” that is already involved in a fire-fight with other elements of Panzergrenadier Division Großdeutschland, 21st Panzer Division and 1st Fallschirmjäger.
One Panzergrenadier attempts to work his way towards the strongpoint and find an effective firing position. Below: Feldwebel Otto Henning has already spotted one target.
While attempting to get around and flank the allied strong point, with Grenadiers “Stefan Kollers” and “Hans Muller”, our battle was cut short by fusillade of well placed rounds from element’s of Fox Commando Royal Navy and US 101 Airborne (below).
Above; The long walk back to the camp at the end of day one. Left to right: Fallschirmjäger from the NWW2A, Grenadier “Hans Muller”, Grenadier “Stefan Kollers” and Unteroffizier “Wolfgang Spengler”
NWW2A consists of a number of different groups or“units” ranging from the US and British Airborne troops, French Resistance, British and Soviet infantry, German 21st Panzer Division, Infantry, Luftwaffe and Fallschirmjäger and the Panzergrenadier Division Großdeutschland. Moving away from front-lines units there’s the German Field Police, Deutches Rotes Kreuz , Ensa Moonlight Seranaders and 40’s Civilians & Home Front Auxiliaries.
Lytham held the first of what could turn out to be a very good annual event on the weekend of 21st and 22nd August 2010. The 1940s war weekend was a celebration to mark the 70th anniversary of the Battle of Britain and to help raise funds for a memorial to the members of the RAFs Fighter and Bomber Command which, when erected, will stand on Lytham Green where the event took place. The weekend which kicked of on Friday evening with a 1940s dance held in the park pavilion, included Re-enactors from The Northern World War Two Association who put on excellent living history displays and a battle re-enactment. There was also full size replica spitfire complete with aircrew waiting for the call to scramble, period military vehicles including a German Sd.Kfz. 251 Auf C half-track and a mini assault course for the kids. The period atmosphere was helped along by re-enactors from the North West Military Colletors group, live 1940s music and dancing all in period costume during the Saturday and Sunday bringing in crowds of sightseers. The whole weekend was topped by a flypast on the Saturday by a Dakota of the type that would have dropped allied paratroops into France on D-day and Arnhem later in the war. Sundays fly past was by the last Hurricane ever built, PZ865 was finished in summer 1944, there were 14,533 of them built throughout the war. She bares the inscription ‘The Last of the Many’ on her port and starboard sides.
There is also a video report here from the weekend from Blackpool TV
I’m just testing the water with this idea, trying to find multiple income streams seems to be the key to survival in todays photography business. So here is a small very niche market first attempt. Please take a look and tell me what you think…