Rotherham Armed Forces Day June 20th
Rotherham Armed Forces Day June 20th
Doncaser Sexy Statue, a risqué sculpture of two naked, embracing lovers which caused outrage in 1967 when first erected in Doncaster’s Arndale shopping centre, found a new home in Doncasters Waterdale Shopping Centre on Friday afternoon (June 19 2015). St. Modwen Properties a British-based property investment and development business that specialises in regenerating urban areas, discovered the statue in storage and in need of repair, after purchasing Waterdale in 2013. Constructed from fibreglass and damaged after years in storage in the underground car park St. Modwen got together with Artfuel, a local art group, and took the decision to make a ‘considerable investment’ and have the artwork restored.
After repairs and restoration including the re construction of hands, feet, re-welding of the internal structure and recolouring the artwork Doncasters ‘Lovers’ sculpture returned in all it’s glory
to public view, almost 30 years after it disappeared. It now stands on a soon to be flood lit glass canopy in the Waterdale Shopping Centre close to the Staff Of Life public house.
Made by Cake Artist Rose Dummer and depicting the Yorkshire Man of steel (a planned 35m high landmark sculpture overlooking junction 34 of the M1 and Meadowhall in South Yorkshire) this impressive Double Death by Chocolate Man of Steel Cake was produced for Oak Furniture Land to mark the opening of their new store at the Foundry Retail Park in Rotherham. At an in store celebration breakfast on Wednesday 3rd June the Yorkshire Man of steel, with the chocolate heart, was donated to Rotherham Hospice. His next appearance will be during the Hospice Summer Gala at Phoenix Sports & Social Club on the 7th June, where he will help raise funds for the Hospice
A Chemical spill in an Asda Superstore Car Park at Chaucer Road, Parson Cross, Sheffield resulted in customers being evacuated, road closures and some customers being sent home in Taxis.
The incident was attended by Police, Firefighters, Decontamination Support and Ambulance crews on Friday Afternoon
The Blues Legend BB King died in Las Vegas on Thursday May 14, 2015. He was born in Itta Bena, Leflore County, Mississippi on September 16th 1925 (odly that same day my mum was born in Sheffield South Yorkshire) He was a self taught guitarist who entered the music industry in the 1940s released his first single in 1949, won his 15th Grammy in 2009. Three years earlier in March 2006 on the opening night of his European Farewell Tour I was fortunate enough to get the chance to meet and photograph him back stage with some competition winners at Sheffield Arena. What really sticks in my mind about that night is how genuine he was. He was a true gentleman who influenced not only a plethora of great musicians probably everyone who met him. Below are some of the photographs I shot that night.
The Blues legend died in his sleep on May 14, 2015 at age 89 .King and Lucille playing on the opening night of his European Farewell Tour at the Hallam FM Arena Sheffield 29 March 2006 Photography by Paul David Drabble
Sheffield Industrial Estate Fire – A major fire broke out on an industrial estate in Sheffield on Wednesday night 3rd Spetember. The fire started just after 9.30pm and a number of loud explosions were heard during the course of the night. The large large blaze at a single storey warehouse just off Station Road in Ecclesfield, close to South Yorkshire Police Sub Divisional HQ and Chapeltown Academy involved 2,000 tonnes of waste plastics. It destroyed the building and caused serious damage to a car paint spraying unit close by and was tackled by over 40 firefighters.
PR Photography Website up-grade portfolio blog online presence is still undergoing it’s upgrade. It is a work in progress but its is now up and running with a selection of News, Public Relations, and other photographs. Links to my Facebook, Twitter, and LinkdIn accounts also to my
Blog and Photoshelter.
As of 24th of October 2016 the subdomin blog has been removed and the blog along with all its old post have been brought into the main website
22 August 2014 Due to a PHP server upgrade my Website has Technical issues and is now under going an upgrade. Meanwhile its Business As Usual from a Photography point of view. If you would like to see some examples of my work please browse through my past blog pages alternatively you can check out my Photoshelter presence
I can also be found on Facebook and Twitter
Make Modern Photographs Vintage- With the increase in popularity of vintage events, 1940’s weekends and re-enacting seems to have led to a trend for ageing digital photographs and trying to make them look like period images. To help photographers who want their photographs to look like film from the 40’s here are a few tips to make modern photographs vintage
The first problem is image quality. Most modern digital cameras handled correctly produce images of significantly higher quality than than their equivalent from the 1940’s. My method of knocking down the image quality is to take my original image, size it down by 50% or more then interpolate it back up to its original size. This can still leave the image too sharp if it is I use a blur filter to soften the image further.
Next desaturate the image but desaturation alone tends to give a harsh and crisp black and white, which leans towards having a blueish tinge. Using colour balance tools to add yellow (or remove blue depending upon how you look at it) and add red will allow you to get a warmer tone that you can make look anywhere from a natural looking black and white through to a sepia tone.
Now add the film grain effect. Create a new layer which will need to be in overlay mode or similar with 100% opacity of middle or 50% grey. On this new layer you carry out two steps.
First add noise, how much will depend up how grainy you want your final image to look, again I start around 50% however make sure the noise is monochrome, there would be no colour noise in a 1940’s B&W photograph.
Second step is to blur the noise so it looks less like sharp dots and more resembles real film grain Gaussian blur is my preferred choice usually around 2 or three pixels.
At this point it’s worth comparing your manipulated image with genuine pictures from the period to make sure you have a reasonable match for colour tone and softness before merging the layers and moving onto cropping.
I prefer to crop either the 3:2 proportion of 35mm format or the square format of 6×6 you could also use 10×8 but a give away that your image may not be “period” would be to crop it at A4 as this probably would not have been a popular shape of the time unless you are going on to mock-up a period magazine cover. Once cropped its time to add a white border I add a 10% border relative to the cropped photograph This can be done by using something like the “Canvas Size” tool in Photoshop or you could just create a new plain white image document in your editor then drag your manipulated photograph into the middle. Once the border is sorted for that final touch of authenticity you can use a softening tool like adobes blur tool to soften the really hard edge between the beginning of the image and the white border and really make modern Photographs Vintage.
One of the things I love about my job is the variety. I get access to people, places and experiences I wouldn’t ordinarily see, one such case is Penny Hill Wind Farm located on farm land between junctions 31 and 32 of the M1 motorway close to the village of Ulley. Where i got to watch and photograph wind farm turbines being delivered and erected. Love them, or hate them, it seems wind farms are now an firm part of the UK’s renewable energy policy. Personally I think in the right light and in the right place these giant “windmills” can be very photogenic and while shooting for one of the local papers I was asked to visit and photograph Penny Hill.
Once completed it will consist of six individual wind turbines with a life span of 25 years. At up to 130 Meters from ground to the tip of the blade these massive turbines arrive on site broken down as four tower pieces, a necell, a hub and three blades which, I am told, in optimum weather conditions can be erected into its base in a single day. Its difficult to comprehend just how large these towers are unless you can get right up to them.
One of the four sections that make up wind farm turbines towers arrives by lorry at Penny Hill
Despite less than perfect conditions workers prepare two massive cranes to lift the first of four sections that make up the tower and lower it on to its base.
Making the lorry that brought it onto the site look like a child’s toy the first of the four sections from the turbines tower is lifted swung over the base. Note the workmen in orange ensuring correct positioning of the section before it is finally lowered on to its base
At £95,000 pounds each, three wind farm turbines blades wait to be fitted to the hub before the assembled pieces can be hoisted up and fitted to the nacelle. I was was unable to resist touching them knowing when I drive past Penny Hill I will be able to look and say. “do you see the center of those blades……”
Penny Hill Wind Farm between junctions 31 and 32 of the M1 motorway close to the village of Ulley. Love them these giant “Windmills” can be photogenic
One completed Wind Turbine beside a second which is awaiting the its blades and hub to be assembled and hoisted into place. Note the comparative size of the yellow excavator at the foot of the unfinished turbine and the car in the bottom right hand corner for scale.